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A Centenary of Wireless Hill celebrated the 100th anniversary of Wireless Hill Station in 2012. The Centenary of Wireless Hill exhibition setup took place over 5 days in September 2012, in the lead-up to the Centenary Celebrations.
Home Front / War Front explored the significant role that Wireless Hill played in both World Wars, under control of the Australian Navy. The exhibition also looked at the lives of ordinary people in our community of Melville, and how they were touched by the war experience - be it on the front line, or here at home.
An exhibition held in partnership with the Vintage Gramophone & Wireless Club of WA, Radiosonic! showcased radios and objects from both collections and told the story of the role that Wireless Hill played in the history of this loved form of communication. Radiosonic was accompanied by a series of free Sunday Radio Talks at Wireless Hill Museum.
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John E. Maloney's exhibition Botanica is a collection of fine art photography, bringing to life the beautiful flowers which were first collected in the late 18th and early 19th Centuries around the Australian coast. Botanica is an Art on the Move touring exhibition.
The City of Melville, in partnership with the Morsecodians Fraternity of Western Australia proudly presented The Wire: A History of Morse Code at Wireless Hill Museum. Please view the Exhibition Booklet or flyer for more information.
Wireless Hill Museum, in partnership with Art On The Move, presented Machines & Makers − an exhibition displaying a healthy obsession for sewing machines, which captures the extraordinary history of a disruptive technology from the 19th Century that changed the world. Curated by Jude van der Merwe, the exhibition took us through the magic of creating stitch, texture and beauty, and reflects on the disposable clothing culture of the 21st Century.
The twelve artists’ various approaches were broadly grouped into three areas of investigation − the political, social and economic differences made by the inventions, many of which are seen through the lens of memory.
Image: Judith Forrest – Back Stitch: Decorating with needles (detail), 2016, oil on canvas.